Reviews

Adam Sandler tries to balance sincerity alongside subversive humor in "Leo," an animated musical that has its moments but never quite comes together.

A brutal and wryly funny bit of pulp, David Fincher's "The Killer" is more proof that few directors are more meticulous and honed in on their craft th...[Read More]

"The Hunger Games: The Ballad of Songbirds & Snakes" ultimately becomes something far more deadly than anything found within the games themselves – un...[Read More]

"Thanksgiving" proves to be a plodding and thoroughly unenjoyable assault on an audience that may ultimately wish it had opted to stay home and eat le...[Read More]

Sofia Coppola’s "Priscilla" may ultimately be the best and is certainly the latest great film from a talented and gifted filmmaker.

"The Holdovers" is one of the funniest, most touching and more enjoyable films of 2023, and a high point of Alexander Payne’s career.

While it may be more horror than anything else, there is more at work in "Five Nights at Freddy’s" than not, making it the best Blumhouse offering to ...[Read More]

"Killers of the Flower Moon" is another late-period masterpiece from Martin Scorsese, who weaves a gripping true epic of racism, greed, guilt and murd...[Read More]

With "The Exorcist: Believer," David Gordon Green delivers an effective possession story that is hampered by being able to purge the spirit of its pre...[Read More]

Gareth Edwards "The Creator" is a visually stunning bit of science fiction and world-building that is let down by a story that's too thin and familiar...[Read More]

"Flora and Son" is another winner from director John Carney, who tells stories about music's power to connect and heal better than any other filmmaker...[Read More]

What’s worse than someone breaking into your house in the middle of the night? Some "THING" breaking in, of course. That’s the setup for "No One Will ...[Read More]