crime film

In my estimation, Oliver Stone has not made an exceptional film in fifteen years; 1997’s U-Turn was the last worthy one in a celebrated run of controversial classics that helped define 1990’s American cinema. Beginning with The Doors (1991) and culminating in a nasty neo-noir (U-Turn [1997]), the director’s forceful combination of large themes and dynamic cinematic playfulness engendered as much a...[Read More]