While certainly loud, somewhat sexy, and decked out in all the accurate aesthetic trappings of 1930s Los Angeles, Gangster Squad turns out to be merely a dim cousin to sincere works like L.A. Confidential or Michael Mann’s intimate Public Enemies due to a battery of corny, faux-noir line readings and the bludgeoning candy-gore sensibility of Zombieland and 30 Minutes or Less director Ruben Fleisch...[Read More]