drama

"Killers of the Flower Moon" is another late-period masterpiece from Martin Scorsese, who weaves a gripping true epic of racism, greed, guilt and murder.

"Living" retells Akira Kurosawa's "Ikiru" and, with help from a career-best performance from Bill Nighy, tells a powerful story about what it means to live.

"Women Talking" features one of the year's best ensembles, under the smart direction of Sarah Polley, and ends up as one of the year's most powerful films.

In "When You Finish Saving the World," Julianne Moore and Finn Wolfhard give solid performances, but are failed by Jesse Eisenberg's pat screenplay.

With "The Fabelmans," Steven Spielberg reflects on his love for film and pays tribute to his complex upbringing through a funny, touching and personal drama.

With her feature debut, "Aftersun," writer/director Charlotte Wells proves that she’s a filmmaker to watch, producing one of the year's best films.

"Armageddon Time" is a thoughtful look at growing up with white privilege, but it's flawed by its two-dimensional depiction of its one character of color.

With "The Greatest Beer Run Ever," Peter Farrelly takes a remarkable story and turns it into a formulaic mix of stilted drama and toothless social commentary.