While The United States vs. Billie Holiday is a heartfelt ode to a singular talent, it comes across as a bit too assured of its own merits and the dramatic heft of its subject to be bothered to simply tell the compelling story it has been gifted.
Every once in a while, life hands you an unexpected treat. In this particular case that treat is the new family adventure film Pan. You likely did not know you were even missing something in your children’s fairy tale catalog. That is, you probably never stopped to think, even after seeing Peter Pan in full on Disney style so many times, about how Peter became Peter in the first place. This ...[Read More]
A few months ago the pared, gritty World War II tank picture Fury, led with muted intensity by Brad Pitt, caused little stir though it was a modest, hard-won victory in an old genre. It was also a far more involving trawl through war hell than the miscast, timid Unbroken. We have served countless tours through combat documents, all that history on film, it comes as a surprise then that director An...[Read More]
In scenes organized like the complimentary songs of a weary 2:00 am vinyl album, Joel and Ethan Coen’s Inside Llewyn Davis unfolds as another of their heartfelt, seriocomic, unsentimental, fine-brush portraits of distinctly-Jewish men at an existential dead-end (Barton Fink, A Serious Man) – this time set amidst the grey dawn of the early Sixties boom in the Greenwich Village of folk clubs, earnes...[Read More]