Henry Golding

As far as period piece spy thrillers go, director Guy Ritchie’s "The Ministry of Ungentlemanly Warfare" stands near the top of the genre.

“Snake Eyes” plays like an early-seventies James Bond knock-off that desperately wants to be something more tangible and important than it ultimately is.

I would be hard pressed to call Last Christmas a “love story.” While marketed and presented as such, I beg to differ. Last Christmas is the story of Kate—a bumbling, near-homeless, can’t-get-her-sh*t-together, hot mess of a young woman who wants desperately to be a singer but can only find work as a full-time elf in a Christmas shop—and she’s not even good at doing that. But is she at least likabl...[Read More]