Keir Gilchrist

Horror is the most formulaic genre in cinema – or, perhaps, simply the one in which filmmakers seem most willing to rely on formula. The genre often descends into a spiral of derivative shtick, with the occasional good or great film spawning ten knockoffs that then give rise to another fifty of their own imitators. See Paranormal Activity, a novel and creepy film (a Blair Witch Project copycat its...[Read More]