Michael Winterbottom

There’s an underlying message in Michael Winterbottom’s new film Greed that feels like it was tailor-made commentary on the current era in American politics, not directly, but rather the environment that created and actively fosters it right now. But, the outside vantage point afford by this import is not only oddly incomplete, but it is also a tad condescending in its condemnation of the state of...[Read More]