Netflix

Don't be fooled by the playful camp of "May December." It might seem salacious on the surface, but Todd Haynes' latest is a complex character study.

Adam Sandler tries to balance sincerity alongside subversive humor in "Leo," an animated musical that has its moments but never quite comes together.

A brutal and wryly funny bit of pulp, David Fincher's "The Killer" is more proof that few directors are more meticulous and honed in on their craft than he.

Kenya Barris' "You People" gets laughs from Eddie Murphy, Julia-Louis Dreyfus, and Jonah Hill, but can't decide whether it's a preachy screed or sappy sitcom.

With "The Gray Man," the Russo brothers trade the MCU for the world of espionage. It's a big, sprawling but ultimately empty actioner salvaged by a game cast.

"The Bubble" is a comedy from Judd Apatow that struggles to find something to funny to say about the pandemic but instead feels formless, stale and desperate.

Richard Linklater's "Apollo 10 1/2" is a visually inventive look back at childhood, optimism and the complexities of American life during the space race.